Loki responds to WCPE-FM's decision to forego "controversial" opera broadcasts, chats with Maria Manuela Goyanes, Artistic Director of Woolly Mammoth Theatre, and encourages activists and change makers to push through the tiring work of shifting societal status quo. 

• North Carolina radio station declines to broadcast 6 Met opera performances over objections to content
• X, The Life and Times of Malcolm X: Act III, Scene 5, Audubon Ballroom
• Maria Manuela Goyanes/Woolly Mammoth Theatre
• Kiss of Fire (Louis Armstrong)

Loki highlights the struggle between the students of the Cleveland Institute of Music and Maestro Carlos Kalmar, chats with pianist Jorge Federico Osorio about his new album, "Conciertos Románticos", and speaks to how the critique of interracial dating has come into his life by way of classical musicians. 

• Inside the Crisis at CIM
• "Conciertos Románticos"
• "For the Boys"

Loki shops for Metropolitan Opera tickets, chats with flutist Brandon Patrick George about his new album, "Twofold", and addresses recent police violence against a band director in Alabama. 

Buy "Twofold" by Brandon Patrick George
"Afro Blue" at the Rainbow Room feat. Imani Winds
Alabama band director tased by police for not stopping his students' performance

Loki responds to the Philadelphia Orchestra musicians' rejection of a new contract, speaks with President and CEO of Wolf Trap, Arvind Manocha, and shares Bodhisattva wisdom from his weekend at a Black Buddhist retreat in Florida. 

Philadelphia Orchestra Musicians’ Contract Negotiations Stall: https://theviolinchannel.com/philadelphia-orchestra-musicians-contract-negotiations-stall/
Illharmonic Orchestra - Hip-Hop’s Love Ballad: https://www.youtube.com/watch?v=JgcFH07BvgA
“You Are The Best Thing” - Ray LaMontagne (Ampd Quartet Cover): https://www.youtube.com/watch?v=t-QQqedCQcU 

Guest co-host Johnathan Gibbs joins Loki to welcome him to NYC, to unpack media featuring Black conservatives, and to tease upcoming duo content. Loki features his recent conversation with composer Oswald Huỳnh, whose composition titled "Gia Đình" is quickly grabbing the attention of orchestras across the country. 

"Black Conservatives vs. White Liberals", by Jubilee Media: https://www.youtube.com/watch?v=0t1OddjmpCI&t=2058s
"Gia Đình" by Oswald Huỳnh: https://www.youtube.com/watch?v=nmQObQPqo-Y

Loki comments on John Eliot Gardiner's backstage fist fight, chats with Barron Ryan about his book, "Honey, If It Wasn't for You", and responds to recent conversations among members of the Arts Administrators of Color Network. 

More on Barron Ryan and his latest book: https://prbythebook.com/experts/barron-ryan/

Loki Karuna weighs in on articles that describe classically trained musicians as "clones", chats with Chris Jenkins about his new book, "Assimilation v. Integration in Music Education", and shares his 2024 Presidential pick. ​

Loki Karuna shares his thoughts on the recent legal situation between Ana Netrebko and The Metropolitan Opera, chats with Michael Redmond about the music of his late father, and encourages unity, once again, between Black and Jewish communities in light of a Jamie Foxx social media post. 

Educators in Florida are expected to teach students that slavery was beneficial to many Black people; Loki responds and connects this issue to the arts. Loki chats with Luke McEndarfer, Artistic Director and CEO of the National Children's Chorus, and shares his ideas on the challenge of recording agreements to living composers. 

Loki highlights a potential challenge for equity-centered arts organizations in light of a recent decision by the Supreme Court, dialogues with Laura Colgate of the Boulanger Initiative, and offers a "peak behind the curtain" in the struggle between orchestras and new music. 

Loki Karuna responds to Joshua Jones' claims of racism from the Kansas City Symphony (as published in The Spotlight KC), interviews Darren Isom from The Bridgespan Group, and offers his latest example of "enjoying your headache". ​

Loki Karuna chats with Kiana Corley about her upbringing in a so-called classical household and how it led her toward a career as a singer/songwriter at the intersection of folk and soul. Loki also responds to the Chicago Symphony Orchestra's upcoming "Montgomery and the Blacknificent 7" concert, and speaks to the importance of decolonizing the way we market and present ourselves to the music industry, and to the world.

CLICK HERE for exclusive deals from Nike

Loki Karuna chats with Karla Donahue Perez from the Catalyst Quartet about their mission to record all of the string quartet's by America's historical Black composers. Loki also addresses the Supreme Court's ruling on Affirmative Action, and speaks to his experiences and opinions on the government's failure to offer student load relief. 

Na'Zir McFadden is the Assistant Conductor of the Detroit Symphony Orchestra and joins Loki to unpack his trajectory to the podium, his plans for the future, and his thoughts and ideas on expanding orchestra audiences. Loki reads from the Lotus Sutra and explains the meaning of his new name, and offers an extremely personal look into his life in the weekly TRILLOQUY. 

Loki (formerly known as Garrett McQueen) speaks with cellist Abel Selaocoe about Africa, his travels as a musician, and the future he sees for so-called classical music. Loki offers his opinions on the intersection of Juneteenth and classical music programming, and highlights America's fundamental sin as a direct contributor to on-stage representation today. 

Garrett is back home from NYC and shares a story of trauma, resilience, and the arts that makes it possible. Damian Norfleet and Laura Kaminsky of Ensemble Pi chat with Garrett about one of their recent musical projects inspired by banned books, and Garrett encourages "turning poison into medicine" in the weekly TRILLOQUY. 

Garrett broadcasts from Brooklyn, NY and introduces the new sound and style of TRILLOQUY. Garrett chats with Keith Brown of Interlochen Public Radio about the show, GAMEPLAY, which celebrates excellence in video game music, and closes out the opus with a few thoughts on the Josh Jones/Kansas City Symphony situation. 

• INTRO: “Golliwog’s Cakewalk” by Claude Debussy (https://www.youtube.com/watch?v=p5Rhv1E3tEM); “6 Keys to Having Genuine Dialogue” (https://www.sgi-usa.org/2022/05/09/6-keys-to-having-genuine-dialogue/);
• MOVEMENT ONE: “The Minnesota Orchestra presents the world premiere of ‘brea(d)th’” (https://dailyplanetdc.com/2023/04/28/the-minnesota-orchestra-presents-the-world-premiere-of-breadth/); “Breadth” by Carlos Simon (https://www.youtube.com/watch?v=btA17lhNXfU&t=6s); “Why is classical music making a comeback?” (https://faroutmagazine.co.uk/why-is-classical-music-making-a-comeback/);  “Reckoner” arr. Robert Glasper (https://www.youtube.com/watch?v=Lsl4TW3Hm1o)
• MOVEMENT TWO: “Money Good” perf. Megan Thee Stallion and Phony Ppl (https://www.youtube.com/watch?v=GYJ03MIPoIk&t=1283s); “Don’t You (Forget Me)” by Simple Minds (https://www.youtube.com/watch?v=CdqoNKCCt7A)
• MOVEMENT THREE: Interview feat. Bethany Reed (https://www.listennotes.com/podcasts/surviving/its-already-happening-with-QBpJ3oYy62T/); Laurie Anderson’s “Statue of Liberty” arr. Lara St. John (https://www.youtube.com/watch?v=NFe9WiYZHCY); “Vision Chant” by Andrew Balfour (https://www.youtube.com/watch?v=hWpJ7zXAHrk); Open Letter from Indigenous Classical Musicians (https://ipaa.ca/open-letter-from-indigenous-classical-musicians/); “It’s Already Happening” Credits: Jacob Crane (he/him) of Indigenous Climate Action on "Climate, Alleyship, Music", opened by musician Andrew Burn (he/him), historical Bassoonist; Dr. Lise Vaugeois (she/her, pronounced Lee-s Vow-jwa), Professor at Lakehead University on  "Settler Colonial Values in the Classical Music World" opened by musician Dwayne Trudeau of Sudbury ON, Blues Guitar; Danielle Klein (she/her), UX Research Manager at Wealthsimple on "Design Thinking in Action: An interactive intro to UX"; Vu Le (he/him, pronounced "voo lay"), Nonprofit AF and Community Centric Fundraising, on "Money, Funding, and Equity", opened my musician Grace Martins, Vocalist, of St. Catharines ON; Caroline Whiddon (she/her), Co-founder to the Me2/Orchestra, on "Building an Orchestra from the Groud Up: melding mental health and classical music"; Lara St John (she/her), International Violin Soloist, Musical Maverick, Survivor,  on "Surviving Sexual Assault in the Classical Music Sector"; Andrew Balfour (he/him), Composer, Conductor (recently Juno nominated), on "Indigenous Musical Sovereignty & the future of "classical music'; Parmel Attariwala (she, her, pronounced  Pahr' mullah Atahr' ee wah la), Violinist, ethnomusicologist, composer, music educator and equity advocate on "How the Western Orchestra and Western classical music are problematic symbols in the era of social justice and equity" with opening music by Lucy Nesbitt, French Horn, of Toronto ON; Mx. Xavia A. Publius (she/her or ze/hir,  for how to pronounce Xavia click here, for how to pronounce Publius click here), Dept. of Drama, PhD Student, University of Albert on "Transgender Inclusion in Classical Music", opened with music by Hamilton ON's finest, B.A. Johnston; Gaitrie Persaud (she/her) , Tkaronto-Guyanese, Deaf IBPOC/QIBPOC activist, empowerer of Deaf artists, on "Empowering Deaf Artists", with short-film opening ROAD TO NOWHERE, an Electric Moose production, created by Brian Solomon, muti-disciplinary artist, including dance, instillations, painting and drawing, born in the remote community of shebahonaning (i pronounce it 'sheba-non-aning', but this isn't correct. there are many ways to pronounce this Anishinaabemowin (the Ojibwe/Ojibwa language) word and I have further learning to do, so take my pronunciation with salt); A limited time screening of the Film Orchestrating Change, Executive Producers/Directors: Emmy-winning Margie Friedman & Barbara Multer-Wellin was made available for several days or the project (it was a doc made about the Me2/Orchestra); Joey Solomon, Sudbury ON based visual artist, produced the logo.; 100s of other people offered time, expertise, support, knowledge, and co-created this event together: I want to acknowledge them for the importance they deserve, as this event was molded, shaped, and made possible by a community of peoples.
• MOVEMENT FOUR: “It’s So Hard to Say Goodbye to Yesterday” by Boyz II Men (https://www.youtube.com/watch?v=dtkbfkmW808)

• INTRO: “Duel of the Fates” by John Williams (https://www.youtube.com/watch?v=D_2bluVPsb0); “Granada” by Agustín Lara (https://www.youtube.com/watch?v=nUWEYcv5pFU&list=PLF74lzd0FYzivYbVU5qjJXRjf6bKTbpBs&index=3);
• MOVEMENT ONE: “What Did Listeners Say When This Station Went A.I.?” (https://radioink.com/2023/05/02/what-did-listeners-say-when-this-station-went-a-i/); “Anything Is Possible” by Don Davis (https://www.youtube.com/watch?v=8iaV1cv6bKE&list=PLIlOL1e1PCesgtYwbhRwO1v9-M_tly_NJ&index=10); “A ‘full body orgasm’ at the L.A. Phil? Witnesses offer conflicting accounts” (https://www.latimes.com/entertainment-arts/music/story/2023-04-30/la-phil-concert-orgasm-twitter-tchaikovsky); ‘Valse’ from Tchaikovsky’s Symphony No. 5 (https://www.youtube.com/watch?v=EzWx-mqW3Vc)
• MOVEMENT TWO: “Trouble So Hard” perf. Amythyst Kiah (https://music.youtube.com/watch?v=PyRyO4qV7cc); “Meri Sakhi ki Avaaz (My Sister’s Voice)” by Reena Esmail (https://www.youtube.com/watch?v=VPXugXA8rUs&t=47s)
• MOVEMENT THREE: Interview with members of The King’s Singers (https://www.kingssingers.com); “Can You Feel the Love Tonight” perf. The King’s Singers (https://www.youtube.com/watch?v=Gz_2zxo-2w4); “I’m Yours” perf. The King’s Singers (https://www.youtube.com/watch?v=cu3WPbT79_o&list=PLtaTdTtskx8EPqgakUUGQa3Q1EaNkVenh&index=13); “The King’s Singers say Christian college cancelled their concert over ‘concerns about sexuality’” (https://www.classicfm.com/artists/kings-singers/florida-college-cancels-concert-sexuality-concerns/#:~:text=The%20King%27s%20Singers-,The%20King%27s%20Singers%20say%20Christian%20college,concert%20over%20%27concerns%20about%20sexuality%27&text=After%20cancelling%20the%20a%20cappella,that%20violates%20the%20Holy%20Scripture)
• MOVEMENT FOUR: “Sansa Kroma” feat. Zimbe (https://www.youtube.com/watch?v=4RRdlBodrWU)

​Support for TRILLOQUY comes from Salastina: https://www.salastina.org/concerts/2023/5/6
 
INTRODUCTION: “Fragile” by String (live from Viña del mar 2011: https://www.youtube.com/watch?v=jATVarJMyE0); “The Seven Last Words of the Unarmed” by Joel Thompson (live from Sphinx 2017: https://www.youtube.com/watch?v=GuT9Ml_Bvx8)
 
MOVEMENT ONE (13:44): “Blair Tindall, Whose Music Memoir Scandalized, Dies at 63”: https://www.nytimes.com/2023/04/19/arts/television/blair-tindall-dead.html?fbclid=IwAR0c1OY7Bre7oIMLHzFhyTgASfzhtJoDmAifMfmtV1RhG8_agOxmZ2eAMfs; Oboe Quartet in F, K. 370, “Adagio” by Wolfgang Amadeus Mozart: https://www.youtube.com/watch?v=cBzRjImBW1s; “Questlove Debuts Young Adult Novel Dedicated To His 9-Year-Old Self — 'I Want Black Nerds To See Themselves'”: https://afrotech.com/questlove-debuts-young-adult-novel?item=8; “The Next Movement” by The Roots: https://www.youtube.com/watch?v=qm7Xt2Qsjcg
 
MOVEMENT TWO (37:15): “stay volk” by Mobley: https://www.youtube.com/watch?v=7tkkj53E0dI; “Remembering Sundays” by Masego: https://www.youtube.com/watch?v=RtVswIwFe9A; “Tadow” by FKJ & Masego: https://www.youtube.com/watch?v=hC8CH0Z3L54
 
MOVEMENT THREE (47:55): Interview with Stanford Thompson (https://www.stanfordthompson.com); Trumpet Concerto by Johann Hummel, feat. Stanford Thompson: https://www.youtube.com/watch?v=Qo91ppZfRx4; “Idyll” by Samuel Coleridge-Taylor (perf. Minnesota Orchestra, Kensho Watanabe:https://www.youtube.com/watch?v=ItkdHooWlwI)
 
THE TRILLOQUY( 01:38:20): “The Anthemic Allure of ‘Dixie’, An Enduring Confederate Monument”: https://www.npr.org/transcripts/649954248; “Gone With The Wind (from BlacKKKlansman) by Terence Blanchard: https://www.youtube.com/watch?v=Hvkwuud6h8M&list=PLnoIi4YKKKd9Dzhlgh39aPaHX6g-0rAk5
 

​​Support from TRILLOQUY comes from Salastina: https://www.salastina.org/

INTRODUCTION (00:00): “Forget” by Pogo (https://music.youtube.com/watch?v=QRMwa7WVb3k); “The Diva” from ‘The Fifth Element’ (https://www.youtube.com/watch?v=XnTE2h0ZY74);
 
MOVEMENT ONE (18:10): A Fresh Approach to Classical Music Engages Live Audiences (https://www.seattletimes.com/sponsored/a-fresh-approach-to-classical-music-engages-live-audiences/); “Hello Gold Mountain” by Wu Fei, perf. Lehigh University Philharmonic (https://www.youtube.com/watch?v=EVO62cgC10Q); The Jerusalem Quartet Believes in the Power of the Standard Repertoire (https://cso.org/experience/article/13216/the-jerusalem-quartet-believes-in-the-power-o?fbclid=IwAR2vOD3brb5R3CODH8T-S8Hz50EGOhCih_NNEdiIFwPpi0jVvl3wNYLl6PQ); String Quartet No. 4, mov. V, arr. Cristián Tamblay (https://www.youtube.com/watch?v=97ygszrm1vI);
 
MOVEMENT TWO (46:10): “Prickly Pear” by Portico Quartet (https://music.youtube.com/watch?v=sNmWCHoWGZk); Concerto for Two Guitars by Paulo Bellinati, perf. Brasil Guitar Duo with the Sphinx Symphony Orchestra (https://www.youtube.com/watch?v=i0-6KjHo9QA);
 
MOVEMENT THREE (58:10): Garrett Interviews Terence Blanchard (https://www.metopera.org/season/2022-23-season/champion/); “Going to Mecca” by Terence Blanchard (https://www.youtube.com/watch?v=yDt5_aKFJdM); “Fight Scene” from ‘Champion’ by Terence Blanchard, perf. Opera Parallèle (https://www.youtube.com/watch?v=G553VZIpqeI)
 
THE TRILLOQUY (01:33:40): The Mestizo Waltz by Gabriela Lena Frank, perf. Utah Symphony (https://www.youtube.com/watch?v=nbxmWy7rjI4); “A Tale of Two Sudden Cable News Exits” (https://time.com/6274088/tucker-carlson-don-lemon-firing/)

​Support for TRILLOQUY comes from Salastina: https://www.salastina.org
 
INTRODUCTION: SUPPORT THE FAMILY OF RALPH YARL (https://www.gofundme.com/f/nf36y-cover-medical-expenses); Nicki Minaj – “Itty Bitty Piggy”; Kendrick Lamar – “For Free?”
 
MOVEMENT ONE: Los Angeles’s Metro Is Using Classical Music as a Weapon (https://www.curbed.com/2023/03/los-angeles-metro-classical-music-subway.html); Once Overlooked Artists Are Strengthening the Classical Canon (https://www.inquirer.com/arts/florence-price-philadelphia-orchestra-curtis-institute-mary-lou-williams-20230410.html); Mary Lou Williams – ‘Taurus’ from Zodian Suite; An AI-generated Rihanna Cover of Beyoncé’s ‘Cuff It’ is Going Viral, and It Could Open Up a New Legal Nightmore for the Music Industry (https://www.insider.com/rihanna-ai-cuff-it-cover-legal-nightmare-music-industry-2023-4); Woman Claims AI Cloned Her Daughter’s Voice In $1 Million Kidnapping Scam (https://www.ndtv.com/feature/woman-claims-ai-cloned-her-daughters-voice-in-1-million-kidnapping-scam-3954384); Nirvana (AI) – Drowned in The Sun
 
MOVEMENT TWO: Funsho – Sweet Love (cover: https://www.youtube.com/watch?v=MTDYK689UIg); Chance the Rapper Helped Anita Baker Acquire Her Masters (https://www.cheatsheet.com/entertainment/chance-rapper-helped-anita-baker-acquire-masters.html/); Chris Bruebeck – Affinity: Concerto for Guitar and Orchestra
 
MOVEMENT THREE (52:30): Garrett Interviews Leslie Kwan (https://www.lesliekwan.com); “A is for Aretha” (https://www.lesliekwan.com/a-is-for-aretha); Former Employee Claims Racial Discrimination in Suit Against Handel and Haydn Society (https://www.bostonglobe.com/lifestyle/names/2017/10/17/former-employee-claims-racial-discrimination-suit-against-handel-haydn-society/uXYHIyjNa22yHyky7hGgWJ/story.html); Marin Marais – Le Badinage (perf. Hila Katz: https://www.youtube.com/watch?v=Ml0ZuqIX43U); Jean-Phillippe Rameau – Suite in a-minor (perf. Henri Hemsh: https://www.youtube.com/watch?v=NK3-URQntcg)
 
THE TRILLOQUY (1:50:00): Traditional – How Great Thou Art (perf. Marcus Miller: https://www.youtube.com/watch?v=xxmLaETMSUc); Ralph Yarl Shooting Accused Shooter Out on Bond After Arrest: https://www.kcur.org/live-updates/ralph-yarl-kansas-city-shooting-protest;

​Support for TRILLOQUY comes from Salastina: https://www.salastina.org
 
INTRODUCTION: Todd Harper’s Visual Scores (https://troutsongs.com/new-works-2020/); “Mnt I” from ‘Davka’ (https://www.discogs.com/release/2376251-Davka-Live); “Eruption” by Van Halen (https://music.youtube.com/watch?v=M4Czx8EWXb0); Excerpt from ‘Reaching Beyond’ (https://www.goodreads.com/en/book/show/34670537)
 
MOVEMENT 1 (22:40): “Daft Punk’s Thomas Bangalter Reveals Himself: As a Composer” (https://www.nytimes.com/2023/04/03/arts/music/thomas-bangalter-daft-punk-mythologies.html); “Get Lucky” by Daft Punk (https://www.youtube.com/watch?v=5NV6Rdv1a3I); “Les Amazones” by Thomas Bangalter (https://www.youtube.com/watch?v=jSwvqh4zzto&list=PLEpjZ6a3i26cClq-7bQmsUFnc0ICmkepi&index=7); Police 'Reviewing Evidence' After Women Dragged Out of “The Bodyguard” Musical at Manchester's Palace Theatre (https://www.manchestereveningnews.co.uk/whats-on/whats-on-news/police-reviewing-evidence-after-women-26657762); “Security Measures” by Alan Silvestri (https://www.youtube.com/watch?v=x4p_0o3l_8U&list=PLohYzz4btpaTba7W1VnOlKU6yBoLYt8lD&index=7);
 
MOVEMENT 2 (48:00​): “I Found” by Amber Run, ft. London Contemporary Voices (https://music.youtube.com/watch?v=WJnrgvivZ1E); “Moving Target” by Brandee Younger (https://www.youtube.com/watch?v=QiWWsXTj8mQ&list=OLAK5uy_lRv4T_pPHnmQHi6OwcCzU72GSusxha2_w); More on “Brand New Life” by Brandee Younger (https://news.theurbanmusicscene.com/2023/04/brandee-younger-releases-new-album-brand-new-life/)
 
MOVEMENT THREE (56:20): Garrett Interviews Juan Pablo Contreras (https://www.juanpablocontreras.com); “Lucha Libre!” by Juan Pablo Contreras (https://www.youtube.com/watch?v=Ts44zq_YqQE); More on “Lucha Libre!” (https://culturalattache.co/2022/12/08/composer-juan-pablo-contreras-unmasked/)
 
THE TRILLOQUY (01:48:10​): “I See a Darkness” by Johnny Cash (https://www.youtube.com/watch?v=JWnUItw1ElU); Tennessee House Votes to Expel 2 of 3 Democratic Members Over Gun Protest (https://www.npr.org/2023/04/06/1168363992/tennessee-expel-3-democrats-house-vote); Robert A. Heinlein Quote (https://www.goodreads.com/quotes/3264-i-am-free-no-matter-what-rules-surround-me-if)

​TRILLOQUY is made possible, in part, by Salastina: https://www.salastina.org/

INTRODUCTION: “The Mandalorian” Main Theme by Ludwig Göransson (https://www.youtube.com/watch?v=62x19Bepc5s); “The Sopranos” Opening Credits by Alabama 3 (https://www.youtube.com/watch?v=mJpNmYeooQE&t=41s); “Lo Chiamavano King” by Luis Bacalov (https://www.youtube.com/watch?v=cT1BiMHTVz8); “I Got a Name” by Jim Croce (https://www.youtube.com/watch?v=wmKd_P1qGIA)

MOVEMENT ONE: “‘Of The Sea’ and other Black operas are changing the face of classical music” (https://www.cbc.ca/news/entertainment/of-the-sea-opera-1.6796948); ‘Of The Sea’ Trailer (https://www.youtube.com/watch?v=jj2VpkOhAlo); “A Lost Operatic Masterpiece Written By White Men For An All-Black Cast Was Found And Restored. Can It Be Produced Without Controversy?” (https://www.billboard.com/pro/lost-blues-opera-harold-arlen-johnny-mercer-stage-theater/); “He’s Been Faithful” performed by Angel Blue (https://www.youtube.com/watch?v=KXfBCe--kMI)

MOVEMENT TWO: “Sometimes It Snows in April” performed by Shaina E & Jazz Mafia (https://www.youtube.com/watch?v=BMsPOWCYcMg); “Heartbeat” by Ryuichi Sakamoto (https://www.youtube.com/watch?v=XtvTDuTbPhU)

MOVEMENT THREE: Garrett Interviews Tommy Dougherty (https://tsdoughertycomposer.com/bio/); “Restrung” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/restrung); “Extraordinary Instruments” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/extraordinary-instruments)

MOVEMENT FOUR: “Prison Song” by Carlton Williams (https://www.youtube.com/watch?v=s6F37L7vtyw); Garrett and Scott Discuss Donald Trump’s Arraignment 

INTRODUCTION

• Joan Baez on Activism, Vietnam, and the Guitar: https://www.youtube.com/watch?v=tcnNSavtoeI
• Joan Baez – “Where Have All the Flowers Gone” (https://music.youtube.com/watch?v=fIPJGljUkAc)
• Phil Donahue, “The Issue is Race” (https://www.youtube.com/watch?v=47KGqsAexO0&t=5685s)
• Sister Souljah – “My God is a Powerful God” (https://www.youtube.com/watch?v=KUlWYEjECvI&list=RDEMdCqgD8ASnTG3wAI-jQuQCg&index=7)

MOVEMENT ONE

• Arts-World Activism Saved the BBC Singers: https://www.theguardian.com/media/2023/mar/24/arts-world-activism-saved-the-bbc-singers-lets-take-the-same-fight-to-government-cuts
• John Adams – “Doctor Atomic” (https://www.youtube.com/watch?v=zd1TcrsNys8&list=OLAK5uy_mUWnM4FZ7ceIzKtu3TPYbLB0IIO659tX8&index=6)
• The Case Against Blind Auditions: https://newmusicusa.org/nmbx/eyes-wide-shut-the-case-against-blind-auditions/
• Dmitri Shostakovich – Waltz from “Jazz Suite No. 2” (https://www.youtube.com/watch?v=EQFh1W7JGqg)

MOVEMENT TWO

• Kashimana Ahua – “Shecession or She’s Essential” (https://www.youtube.com/watch?v=zNcaeZj_NF0)
• Margaret Bonds – ‘One Sunday in the South’ from “Montgomery Vairations” (https://www.youtube.com/watch?v=ereaXUDie-A&t=828s)

MOVEMENT THREE

• Wu Man & Amjad Ali Khan (feat. Amaan Ali Bangash, Shane Shanahan & Ayaan Ali Bangash) – “Rhythm of Life” (https://www.youtube.com/watch?v=GoRCIWnZi7I&list=OLAK5uy_lP8F753RVuovU3K_0svGCk6vlDBgu7r4s)
• Interview with Wu Man and Amjad Ali Khan
• Music for Hope: https://www.opus3artists.com/out-today-wu-man-amjad-ali-khans-music-for-hope/
• Wu Man & Amjad Ali Khan (feat. Shane Shanahan) – “Maya” (https://www.youtube.com/watch?v=N2pu-l-bC0w&list=OLAK5uy_lP8F753RVuovU3K_0svGCk6vlDBgu7r4s&index=5)

THE TRILLOQUY

• Adia Victoria – “South Gotta Change” (https://www.youtube.com/watch?v=XEm0qOxhGxo)
• Ticketmaster Faces Class Action Lawsuit Over Drake Ticket Prices: https://www.nme.com/news/music/ticketmaster-faces-class-action-lawsuit-over-drake-ticket-prices-3420349

SPONSORS

• Schubert Club: https://schubert.org/
• Salastina: https://www.salastina.org/