TRILLOQUY is made possible, in part, by Salastina: https://www.salastina.org/
INTRODUCTION: “The Mandalorian” Main Theme by Ludwig Göransson (https://www.youtube.com/watch?v=62x19Bepc5s); “The Sopranos” Opening Credits by Alabama 3 (https://www.youtube.com/watch?v=mJpNmYeooQE&t=41s); “Lo Chiamavano King” by Luis Bacalov (https://www.youtube.com/watch?v=cT1BiMHTVz8); “I Got a Name” by Jim Croce (https://www.youtube.com/watch?v=wmKd_P1qGIA) MOVEMENT ONE: “‘Of The Sea’ and other Black operas are changing the face of classical music” (https://www.cbc.ca/news/entertainment/of-the-sea-opera-1.6796948); ‘Of The Sea’ Trailer (https://www.youtube.com/watch?v=jj2VpkOhAlo); “A Lost Operatic Masterpiece Written By White Men For An All-Black Cast Was Found And Restored. Can It Be Produced Without Controversy?” (https://www.billboard.com/pro/lost-blues-opera-harold-arlen-johnny-mercer-stage-theater/); “He’s Been Faithful” performed by Angel Blue (https://www.youtube.com/watch?v=KXfBCe--kMI) MOVEMENT TWO: “Sometimes It Snows in April” performed by Shaina E & Jazz Mafia (https://www.youtube.com/watch?v=BMsPOWCYcMg); “Heartbeat” by Ryuichi Sakamoto (https://www.youtube.com/watch?v=XtvTDuTbPhU) MOVEMENT THREE: Garrett Interviews Tommy Dougherty (https://tsdoughertycomposer.com/bio/); “Restrung” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/restrung); “Extraordinary Instruments” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/extraordinary-instruments) MOVEMENT FOUR: “Prison Song” by Carlton Williams (https://www.youtube.com/watch?v=s6F37L7vtyw); Garrett and Scott Discuss Donald Trump’s Arraignment
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INTRODUCTION
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Brandee Younger Quartet Live @ Arts Center at Duck Creek: https://www.youtube.com/watch?v=gY9ghgmH_r0&t=1483s Esperanza Spalding – “Wild is the Wind” (https://www.youtube.com/watch?v=Yl8-ea--oWs) MOVEMENT 1 Archaeology Meets Music History: https://news.artnet.com/art-world/deer-antler-long-an-museum-storage-earliest-known-stringed-instruments-2261298 Vietnamese Classical Music Demonstration: https://www.youtube.com/watch?v=G_ZMrcGUMro Deion Sanders is Working to Decolonize Colorado Band: https://hbcugameday.com/2023/02/28/deion-sanders-wants-colorado-band-to-find-some-hbcu-influence/?fbclid=IwAR2oIaZh10iwYKql40E1F-KM8yer1sz66y9Ws8dJC2XBLDohzAlCor6bjJU Mystikal – “Here I Go” (https://www.youtube.com/watch?v=Z7Xm6MFTcqU) MOVEMENT 2 arr. Xuefei Yang/Sha Yuan – “Fisherman’s Song by Moonlight” (https://music.youtube.com/watch?v=hfAlH-X5_Us) Lucha Reyes: https://en.wikipedia.org/wiki/Lucha_Reyes_(Peruvian_singer) Lucha Reyes – “Mi Ultima Canción” (https://www.youtube.com/watch?v=Drx_57FEgVE) MOVEMENT 3 Garrett Interviews Jessica Harned (https://www.boisestate.edu/music-strings/gsq/jessica-harned/) Classical Queens: https://www.classicalqueens.com Mariachi Sol de Acapulco Performance: https://www.youtube.com/watch?v=2rUOZdLYdFw Sudan Archives – “Freakalizer” (https://www.youtube.com/watch?v=L939QcmquHE) MOVEMENT 4 (THE TRILLOQUY) R.I.P. Wayne Shorter: https://www.sgi-usa.org/2021/12/27/making-resistance-my-ally/ Wayne Shorter: “Orbits” (https://www.youtube.com/watch?v=lNxxVTvTlKY) SPONSORS Schubert Club: https://schubert.org Salastina: https://www.salastina.org
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TRILLOQUY is made possible, in part, by Schubert Club (https://schubert.org) and Salastina (https://www.salastina.org).
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Salim Washington's musical career has taken him from the southern US to South Africa! He joins Garrett to talk jazz, Black history, and more.
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Schubert Club: https://schubert.org/ Salastina: https://www.salastina.org/ Gateways Radio: https://www.gatewaysmusicfestival.org/gatewaysradio
The Sphinx Organization has been a leader in diversity and equity in the arts for 25 years. The organization's President and Artistic Director, Afa Dworkin, alongside the organization's founder, Aaron Dworkin, join Garrett to discuss the past, present and future of Sphinx.
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**Support for TRILLOQUY comes from Schubert Club (https://schubert.org/) and Salastina (https://www.salastina.org/)
Molly Joyce is a composer and performer whose work focuses on disability as a creative source. She joins Garrett in this week's third movement to talk about her work and her new album, "Perspective". This, the week in "accidentals", and more!
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· Black Administrators of Opera Release Letter in Support of Afton Battle: https://operawire.com/black-administrators-of-opera-release-letter-in-support-of-afton-battle/ · Young musicians keep showing up on concert stages. It’s not clear they’re ready: https://datebook.sfchronicle.com/music/young-musicians-keep-showing-up-on-concert-stages-its-not-clear-theyre-ready?fbclid=IwAR3hIysCFSu52hGEXu__-xWKw_lOMofAJdXm19oSdXClWOod2rdva4sfMbI Movement Two: · Danger Mouse and Black Thought – “No Gold Teeth” · SZA – “Too Late” Movement Three: · Molly Joyce: https://www.mollyjoyce.com · “Perspective”: https://mollyjoyce.bandcamp.com/album/perspective · Accessibility in the Arts – A Promise and a Practice: https://promiseandpractice.art More: · Schubert Club: https://schubert.org · Salastina: https://www.salastina.org · “Capitolio” by Maria Isa: https://music.youtube.com/playlist?list=OLAK5uy_k8EaGWmdVD-Noiamc4-a4gosknhV1Id1E · Antonín Dvořák - Symphony No. 9 ‘From the New World’ - Klaus Mäkelä | Made in America: https://www.youtube.com/watch?v=vXcU7h3uVlg · Chaka Khan - Through the Fire (Piano Cover by Gabriella Miranda): https://www.youtube.com/watch?v=_ludXTpP1Wg
Garrett and Scott wrap up the year discussing the Met Opera's budget woes, call-out of a Black opera singer coined as "the op", and music by Mongo Santamaría, Counting Crows, Black Thought & Danger Mouse, and more. Special guest Vijay Iyer joins in the third movement.
Support for TRILLOQUY comes from Salastina.
Garrett and Scott offer a holiday-themed opus, featuring a Rudolph breakdown, music by Mariah Carey and Fleet Foxes, a conversation with special guest, Takesha Meshé Kizart-Thomas, and lots more! TRILLOQUY is made possible, in part, by Salastina: https://www.salastina.org.
Soprano Maria Clark and pianist Maria Thompson Corley navigate intense emotion, scars of suffering, and religious passion through hymns, spirituals, and gospel tunes on their latest album, "Soul Sanctuary". They both join Garrett (1:09:00) to discuss the album, the importance of the spiritual, and the cultural narratives that are drawn from this form of Black classical music. Garrett and Scott kick off the show with a nod to the tradition of Jewish music and discuss music that bridges the east and west, a racial slurs in the concert hall, and building cross-cultural unity through the theater. This, lots of great music, and more!
Support from TRILLOQUY comes from Salastina: https://www.salastina.org
Experiments in Opera is focused on re-writing the story of opera, with one of their latest projects fusing contemporary subject matter and musical aesthetics with opera serialized for TV! The organization's Executive Director, Aaron Siegel, joins Garrett (1:07:00) to talk about the TV opera, ideas on dismantling the status quo of opera, and insights on how to cultivate younger audiences. Garrett and Scott offer commentary on WFMT's new radio program geared toward younger audiences, take a look at the programming of a southwest US symphony, and share music by Jackson 5, Margaret Bonds, Gladys Knight, and more.
TRILLOQUY is made possible, in part, by Salastina.
Garrett and Scott kick things off with a welcome to the holiday season and move into the New York Times' take on Sphinx, and the latest from "I Care If You Listen". The guys share music by Dear Silas, Blanco Brown, and more. Multi-time Grammy-nominated artist Curtis Stewart returns to TRILLOQUY to discuss his upcoming performance of Julia Perry's violin concerto, his approach to playing and understanding music, and how musical languages can connect and create communities. Garrett and Scott wrap things up by offering their opinions on a holiday favorite by Handel.
Support for TRILLOQUY comes from Schubert Club
For the past several years, the South Dakota Symphony has engaged local Indigenous communities through dialogue, music making, and recently, with a new recording! The ensemble's Music Director, Delta David Gier, and resident artist, Bryan Akipa join Garrett and talk about racial relations in South Dakota, the formation of the Lakota Music Project, and what the impact has been for white and Indigenous communities. Garrett and Scott celebrate Esperanza Spalding and offer feedback on the upcoming film, "The Chevalier", and share music by Nina Simone, Ned Rorem, and many others.
Support for TRILLOQUY comes from Schubert Club: schubert.org
This week Garrett and Scott highlight the power of inter-disciplinary blending and collaboration and the benefits therein with the help of an HBCU band inspired article by Katie Brown and a profile on cellist and "clown" Karen Hall. The guys highlight compositions by James Lee III, Shawn Okpebholo, Ludwig Göransson, and many others. Composer Elijah Daniel Smith returns to the third movement to talk more about life as an emerging composer, as well as the importance of respecting the diversity of Blackness and artistically being true to oneself.
Support for TRILLOQUY comes from Schubert Club!
Elijah Daniel Smith is a composer whose star is rising, with performances and commissions from orchestras across the country. He joins Garrett (57:00) to talk about the rock band origins of his musical trajectory, the vital nature of artist service organizations, and his reactions to being critiqued in a previous opus of TRILLOQUY. Scott honors Orchestra Noir's recent performance with Rick Ross and the late singer, Mimi Parker, Garrett speaks to the new movie, "Tár" and shares a cover of an Anita Baker song, and more.
TRILLOQUY is made possible, in part, by Schubert Club!
Rocky, Lee, and Paige, hosts of "The Score" from Minnesota Opera return for part 2 of their conversation with Garrett in the third movement (58:00). Garrett and Scott honor Dia de los Muertos with Mexican music of different shades, engage conversation about the affordability of opera, and consider the nuance behind teaching music students who will likely never "make it" in the field.
TRILLOQUY is made possible, in part, by Schubert Club.
Minnesota Opera's Rocky, Lee, and Paige have been innovating the classical field with their hit podcast, "The Score". They join Garrett (56:30) to talk about the musical inspirations of the podcast, the issues they're working to engage within the opera field, and the nuances of leaving those who don't want to change behind. Scott offers music by Matisyahu, Garrett highlights a string quartet by Michael Laster, and the guys recount their week away from the studio, from the good to the bad.
Support for TRILLOQUY comes from Schubert Club: https://schubert.org Playlist: Louis Armstrong - "Spooks" Inbal Segev - "Room to Move" for Cello Octet The Verve - "Bitter Sweet Symphony" Michael Laster - "Graffiti for Idealists" Matisyahu - "One Day" The Fugees - "Ready or Not" Lauryn Hill - "I Gotta Find Peace of Mind" Heitor Villa-Lobos - Trio for Oboe, Clarinet, and Bassoon More: The Score Podcast: https://mnopera.org/edi/the-score/ Louis Armstrong Museum: https://www.louisarmstronghouse.org Glenn Alexander II Makes Carnegie Hall Debut: https://www.msmnyc.edu/news/msm-doctoral-student-glenn-alexander-ii-makes-carnegie-hall-debut-conducting-jon-batistes-american-symphony/ Talent Exodus in Classical Music: https://www.classicfm.com/music-news/report-classical-industry-parents-women-carers/ Michael Laster: https://www.michaellaster.com/listen
Garrett and Scott offer a pre-recorded opus this week that features conversations about social media's role in "classical" audience development, organ music by Black composers, and the alleged connection between AirBnB and midwest orchestras. Violinist Asher Laub is featured in the third movement to unpack his unique journey and career creating covers as an electro-violinist, and the guys spend the final movement discussing their perspectives on the latest Kanye West sagas.
***TRILLOQUY is made possible, in part, by Schubert Club. DESCRIPTION/PLAYLIST COMING SOON |