​Anthony Davis' career has been marked by his musical responses to the Black experience, with critically acclaimed compositions about the life and times of Malcolm X, the murder of George Floyd, and one of his own experiences with police in a work called "You Have The Right To Remain Silent." He won the 2020 Pulitzer Prize in Music for his composition portraying the story of the Central Park 5, and he joins Garrett to talk about it. Scott unpacks Pulitzer Prize-winning music by other Black composers, and the guys offer words of encouragement (and warning) as the holiday season commences. 

In 2017 composer Tyshawn Sorey teamed up with writer Terrance Hayes and tenor Lawrence Brownlee to create a song cycle called "Cycles of My Being". It's a work that showcases the troubled relationship between America and its Black men that will have its digital premiere on the Opera Philadelphia Channel on November 20th. Tyshawn speaks with Garrett about this, and his broader perspective on writing Black-centric music. Scott honors the space-age music of another Black composer, and Garrett teases a move away from Minnesota. 

The Gateways Music Festival is one of only a few classical music gatherings that center Black people, making it a very important part of the industry for countless musicians. The man who's taken up the responsibility of documenting those gatherings through photography is violinist David Caines Burnett. He talks with Garrett about how classical music's relationship with race has evolved over the decades, and why we keeps "records" - in more ways than one! Garrett and Scott honor the late Alex Trebek with a mini-round of Jeopardy!, and offer their responses to this year's election results. 

Have you ever thought about the relationship between corporate money and equitable arts initiatives? Percussionist Sidney Hopson has dedicated his career to convincing for-profit institutions that investing in the arts for Black and brown communities can impact their bottom line in a positive way. He speaks with Garrett about this, and lots more! Garrett and Scott remind you that music is not an escape with a few very timely selections, and former manager of Classical Minnesota Public Radio gets a special shout-out. 

This opus is dedicated to Kansas City's KJ Brooks, and his made possible, in part, by Derek Menchan and BluKlok Records. 

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​When Wayne Shorter tragically lost his wife in an airplane crash, he vowed to live an even happier life with the help of an ancient philosophy: Nam Myōhō Renge Kyō. He talks with Garrett about Buddhism, what it means to find "zero gravity", and what it means to make allies out of demons and devils. Johnathan Gibbs is the special guest co-host, and helps Garrett tackle the topics of #EndSars, the MET's inability to pay its musicians, and more. In the final movement, the guys re-address Daniel Elder and "Keith". 

​Ensemble Pi has operated at the intersection of music and social justice since 2015, and in an upcoming concert the group will tackle the need for Black reparations head on! Allison Loggin-Hull talks to Garrett about "The Pattern", which is a piece of music she wrote specifically for this virtual performance. The ensemble's pianist, Idith Korman, offers her thoughts and experiences as both a musician who centers social justice, and the recipient of Jewish reparations. Garrett and Scott honor the legacy of the late John Brim, and the guys respond to an anti-racist statement made by WUOL-FM. 

For the 69th opus of TRILLOQUY, the guys decide to spend some time at the intersection of music and sex, featuring a few of Scott's favorites by Donna Summer. Special guest, Derek Menchan talks with Garrett about how he utilizes Afro-centrism and his ability to overlay his multi-talents to create new recordings of the "classics", and a scene from the film, "The Prince of Egypt" serves as the frame for pretty difficult conversation between the hosts.  

​The Sphinx Organization has celebrated and brought together Black and brown musicians for over two decades, but because of COVID, the organization's annual gala is going digital. This online event will include a performance of a work by composer Carlos Simon, who talks with Garrett about the gala, his music, and how he engages the issue of police brutality as an artist. Scott offers his opinion on the music of Alanis Morissette (and Beyoncé's cover of her most famous song), followed by a conversation concerning this year's Presidential Election. 

When it comes to hosting radio, some things just can't be taught. WUOT-FM's Todd Steed talks about this, some of the challenges of working in management at a radio station, and what made Garrett the "right person" for his spot on the afternoon airwaves, despite his not having any radio experience at the time. Scott weighs in on how he deals with rude listeners, and Garrett takes a cue from Kanye West.