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Support for TRILLOQUY comes from Salastina: https://www.salastina.org/concerts/2023/5/6
INTRODUCTION: “Fragile” by String (live from Viña del mar 2011: https://www.youtube.com/watch?v=jATVarJMyE0); “The Seven Last Words of the Unarmed” by Joel Thompson (live from Sphinx 2017: https://www.youtube.com/watch?v=GuT9Ml_Bvx8) MOVEMENT ONE (13:44): “Blair Tindall, Whose Music Memoir Scandalized, Dies at 63”: https://www.nytimes.com/2023/04/19/arts/television/blair-tindall-dead.html?fbclid=IwAR0c1OY7Bre7oIMLHzFhyTgASfzhtJoDmAifMfmtV1RhG8_agOxmZ2eAMfs; Oboe Quartet in F, K. 370, “Adagio” by Wolfgang Amadeus Mozart: https://www.youtube.com/watch?v=cBzRjImBW1s; “Questlove Debuts Young Adult Novel Dedicated To His 9-Year-Old Self — 'I Want Black Nerds To See Themselves'”: https://afrotech.com/questlove-debuts-young-adult-novel?item=8; “The Next Movement” by The Roots: https://www.youtube.com/watch?v=qm7Xt2Qsjcg MOVEMENT TWO (37:15): “stay volk” by Mobley: https://www.youtube.com/watch?v=7tkkj53E0dI; “Remembering Sundays” by Masego: https://www.youtube.com/watch?v=RtVswIwFe9A; “Tadow” by FKJ & Masego: https://www.youtube.com/watch?v=hC8CH0Z3L54 MOVEMENT THREE (47:55): Interview with Stanford Thompson (https://www.stanfordthompson.com); Trumpet Concerto by Johann Hummel, feat. Stanford Thompson: https://www.youtube.com/watch?v=Qo91ppZfRx4; “Idyll” by Samuel Coleridge-Taylor (perf. Minnesota Orchestra, Kensho Watanabe:https://www.youtube.com/watch?v=ItkdHooWlwI) THE TRILLOQUY( 01:38:20): “The Anthemic Allure of ‘Dixie’, An Enduring Confederate Monument”: https://www.npr.org/transcripts/649954248; “Gone With The Wind (from BlacKKKlansman) by Terence Blanchard: https://www.youtube.com/watch?v=Hvkwuud6h8M&list=PLnoIi4YKKKd9Dzhlgh39aPaHX6g-0rAk5 Support from TRILLOQUY comes from Salastina: https://www.salastina.org/ INTRODUCTION (00:00): “Forget” by Pogo (https://music.youtube.com/watch?v=QRMwa7WVb3k); “The Diva” from ‘The Fifth Element’ (https://www.youtube.com/watch?v=XnTE2h0ZY74); MOVEMENT ONE (18:10): A Fresh Approach to Classical Music Engages Live Audiences (https://www.seattletimes.com/sponsored/a-fresh-approach-to-classical-music-engages-live-audiences/); “Hello Gold Mountain” by Wu Fei, perf. Lehigh University Philharmonic (https://www.youtube.com/watch?v=EVO62cgC10Q); The Jerusalem Quartet Believes in the Power of the Standard Repertoire (https://cso.org/experience/article/13216/the-jerusalem-quartet-believes-in-the-power-o?fbclid=IwAR2vOD3brb5R3CODH8T-S8Hz50EGOhCih_NNEdiIFwPpi0jVvl3wNYLl6PQ); String Quartet No. 4, mov. V, arr. Cristián Tamblay (https://www.youtube.com/watch?v=97ygszrm1vI); MOVEMENT TWO (46:10): “Prickly Pear” by Portico Quartet (https://music.youtube.com/watch?v=sNmWCHoWGZk); Concerto for Two Guitars by Paulo Bellinati, perf. Brasil Guitar Duo with the Sphinx Symphony Orchestra (https://www.youtube.com/watch?v=i0-6KjHo9QA); MOVEMENT THREE (58:10): Garrett Interviews Terence Blanchard (https://www.metopera.org/season/2022-23-season/champion/); “Going to Mecca” by Terence Blanchard (https://www.youtube.com/watch?v=yDt5_aKFJdM); “Fight Scene” from ‘Champion’ by Terence Blanchard, perf. Opera Parallèle (https://www.youtube.com/watch?v=G553VZIpqeI) THE TRILLOQUY (01:33:40): The Mestizo Waltz by Gabriela Lena Frank, perf. Utah Symphony (https://www.youtube.com/watch?v=nbxmWy7rjI4); “A Tale of Two Sudden Cable News Exits” (https://time.com/6274088/tucker-carlson-don-lemon-firing/)
Support for TRILLOQUY comes from Salastina: https://www.salastina.org
INTRODUCTION: SUPPORT THE FAMILY OF RALPH YARL (https://www.gofundme.com/f/nf36y-cover-medical-expenses); Nicki Minaj – “Itty Bitty Piggy”; Kendrick Lamar – “For Free?” MOVEMENT ONE: Los Angeles’s Metro Is Using Classical Music as a Weapon (https://www.curbed.com/2023/03/los-angeles-metro-classical-music-subway.html); Once Overlooked Artists Are Strengthening the Classical Canon (https://www.inquirer.com/arts/florence-price-philadelphia-orchestra-curtis-institute-mary-lou-williams-20230410.html); Mary Lou Williams – ‘Taurus’ from Zodian Suite; An AI-generated Rihanna Cover of Beyoncé’s ‘Cuff It’ is Going Viral, and It Could Open Up a New Legal Nightmore for the Music Industry (https://www.insider.com/rihanna-ai-cuff-it-cover-legal-nightmare-music-industry-2023-4); Woman Claims AI Cloned Her Daughter’s Voice In $1 Million Kidnapping Scam (https://www.ndtv.com/feature/woman-claims-ai-cloned-her-daughters-voice-in-1-million-kidnapping-scam-3954384); Nirvana (AI) – Drowned in The Sun MOVEMENT TWO: Funsho – Sweet Love (cover: https://www.youtube.com/watch?v=MTDYK689UIg); Chance the Rapper Helped Anita Baker Acquire Her Masters (https://www.cheatsheet.com/entertainment/chance-rapper-helped-anita-baker-acquire-masters.html/); Chris Bruebeck – Affinity: Concerto for Guitar and Orchestra MOVEMENT THREE (52:30): Garrett Interviews Leslie Kwan (https://www.lesliekwan.com); “A is for Aretha” (https://www.lesliekwan.com/a-is-for-aretha); Former Employee Claims Racial Discrimination in Suit Against Handel and Haydn Society (https://www.bostonglobe.com/lifestyle/names/2017/10/17/former-employee-claims-racial-discrimination-suit-against-handel-haydn-society/uXYHIyjNa22yHyky7hGgWJ/story.html); Marin Marais – Le Badinage (perf. Hila Katz: https://www.youtube.com/watch?v=Ml0ZuqIX43U); Jean-Phillippe Rameau – Suite in a-minor (perf. Henri Hemsh: https://www.youtube.com/watch?v=NK3-URQntcg) THE TRILLOQUY (1:50:00): Traditional – How Great Thou Art (perf. Marcus Miller: https://www.youtube.com/watch?v=xxmLaETMSUc); Ralph Yarl Shooting Accused Shooter Out on Bond After Arrest: https://www.kcur.org/live-updates/ralph-yarl-kansas-city-shooting-protest;
Support for TRILLOQUY comes from Salastina: https://www.salastina.org
INTRODUCTION: Todd Harper’s Visual Scores (https://troutsongs.com/new-works-2020/); “Mnt I” from ‘Davka’ (https://www.discogs.com/release/2376251-Davka-Live); “Eruption” by Van Halen (https://music.youtube.com/watch?v=M4Czx8EWXb0); Excerpt from ‘Reaching Beyond’ (https://www.goodreads.com/en/book/show/34670537) MOVEMENT 1 (22:40): “Daft Punk’s Thomas Bangalter Reveals Himself: As a Composer” (https://www.nytimes.com/2023/04/03/arts/music/thomas-bangalter-daft-punk-mythologies.html); “Get Lucky” by Daft Punk (https://www.youtube.com/watch?v=5NV6Rdv1a3I); “Les Amazones” by Thomas Bangalter (https://www.youtube.com/watch?v=jSwvqh4zzto&list=PLEpjZ6a3i26cClq-7bQmsUFnc0ICmkepi&index=7); Police 'Reviewing Evidence' After Women Dragged Out of “The Bodyguard” Musical at Manchester's Palace Theatre (https://www.manchestereveningnews.co.uk/whats-on/whats-on-news/police-reviewing-evidence-after-women-26657762); “Security Measures” by Alan Silvestri (https://www.youtube.com/watch?v=x4p_0o3l_8U&list=PLohYzz4btpaTba7W1VnOlKU6yBoLYt8lD&index=7); MOVEMENT 2 (48:00): “I Found” by Amber Run, ft. London Contemporary Voices (https://music.youtube.com/watch?v=WJnrgvivZ1E); “Moving Target” by Brandee Younger (https://www.youtube.com/watch?v=QiWWsXTj8mQ&list=OLAK5uy_lRv4T_pPHnmQHi6OwcCzU72GSusxha2_w); More on “Brand New Life” by Brandee Younger (https://news.theurbanmusicscene.com/2023/04/brandee-younger-releases-new-album-brand-new-life/) MOVEMENT THREE (56:20): Garrett Interviews Juan Pablo Contreras (https://www.juanpablocontreras.com); “Lucha Libre!” by Juan Pablo Contreras (https://www.youtube.com/watch?v=Ts44zq_YqQE); More on “Lucha Libre!” (https://culturalattache.co/2022/12/08/composer-juan-pablo-contreras-unmasked/) THE TRILLOQUY (01:48:10): “I See a Darkness” by Johnny Cash (https://www.youtube.com/watch?v=JWnUItw1ElU); Tennessee House Votes to Expel 2 of 3 Democratic Members Over Gun Protest (https://www.npr.org/2023/04/06/1168363992/tennessee-expel-3-democrats-house-vote); Robert A. Heinlein Quote (https://www.goodreads.com/quotes/3264-i-am-free-no-matter-what-rules-surround-me-if)
TRILLOQUY is made possible, in part, by Salastina: https://www.salastina.org/
INTRODUCTION: “The Mandalorian” Main Theme by Ludwig Göransson (https://www.youtube.com/watch?v=62x19Bepc5s); “The Sopranos” Opening Credits by Alabama 3 (https://www.youtube.com/watch?v=mJpNmYeooQE&t=41s); “Lo Chiamavano King” by Luis Bacalov (https://www.youtube.com/watch?v=cT1BiMHTVz8); “I Got a Name” by Jim Croce (https://www.youtube.com/watch?v=wmKd_P1qGIA) MOVEMENT ONE: “‘Of The Sea’ and other Black operas are changing the face of classical music” (https://www.cbc.ca/news/entertainment/of-the-sea-opera-1.6796948); ‘Of The Sea’ Trailer (https://www.youtube.com/watch?v=jj2VpkOhAlo); “A Lost Operatic Masterpiece Written By White Men For An All-Black Cast Was Found And Restored. Can It Be Produced Without Controversy?” (https://www.billboard.com/pro/lost-blues-opera-harold-arlen-johnny-mercer-stage-theater/); “He’s Been Faithful” performed by Angel Blue (https://www.youtube.com/watch?v=KXfBCe--kMI) MOVEMENT TWO: “Sometimes It Snows in April” performed by Shaina E & Jazz Mafia (https://www.youtube.com/watch?v=BMsPOWCYcMg); “Heartbeat” by Ryuichi Sakamoto (https://www.youtube.com/watch?v=XtvTDuTbPhU) MOVEMENT THREE: Garrett Interviews Tommy Dougherty (https://tsdoughertycomposer.com/bio/); “Restrung” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/restrung); “Extraordinary Instruments” by Tommy Dougherty (https://soundcloud.com/tommy-s-dougherty/extraordinary-instruments) MOVEMENT FOUR: “Prison Song” by Carlton Williams (https://www.youtube.com/watch?v=s6F37L7vtyw); Garrett and Scott Discuss Donald Trump’s Arraignment
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Brandee Younger Quartet Live @ Arts Center at Duck Creek: https://www.youtube.com/watch?v=gY9ghgmH_r0&t=1483s Esperanza Spalding – “Wild is the Wind” (https://www.youtube.com/watch?v=Yl8-ea--oWs) MOVEMENT 1 Archaeology Meets Music History: https://news.artnet.com/art-world/deer-antler-long-an-museum-storage-earliest-known-stringed-instruments-2261298 Vietnamese Classical Music Demonstration: https://www.youtube.com/watch?v=G_ZMrcGUMro Deion Sanders is Working to Decolonize Colorado Band: https://hbcugameday.com/2023/02/28/deion-sanders-wants-colorado-band-to-find-some-hbcu-influence/?fbclid=IwAR2oIaZh10iwYKql40E1F-KM8yer1sz66y9Ws8dJC2XBLDohzAlCor6bjJU Mystikal – “Here I Go” (https://www.youtube.com/watch?v=Z7Xm6MFTcqU) MOVEMENT 2 arr. Xuefei Yang/Sha Yuan – “Fisherman’s Song by Moonlight” (https://music.youtube.com/watch?v=hfAlH-X5_Us) Lucha Reyes: https://en.wikipedia.org/wiki/Lucha_Reyes_(Peruvian_singer) Lucha Reyes – “Mi Ultima Canción” (https://www.youtube.com/watch?v=Drx_57FEgVE) MOVEMENT 3 Garrett Interviews Jessica Harned (https://www.boisestate.edu/music-strings/gsq/jessica-harned/) Classical Queens: https://www.classicalqueens.com Mariachi Sol de Acapulco Performance: https://www.youtube.com/watch?v=2rUOZdLYdFw Sudan Archives – “Freakalizer” (https://www.youtube.com/watch?v=L939QcmquHE) MOVEMENT 4 (THE TRILLOQUY) R.I.P. Wayne Shorter: https://www.sgi-usa.org/2021/12/27/making-resistance-my-ally/ Wayne Shorter: “Orbits” (https://www.youtube.com/watch?v=lNxxVTvTlKY) SPONSORS Schubert Club: https://schubert.org Salastina: https://www.salastina.org
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TRILLOQUY is made possible, in part, by Schubert Club (https://schubert.org) and Salastina (https://www.salastina.org).
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Salim Washington's musical career has taken him from the southern US to South Africa! He joins Garrett to talk jazz, Black history, and more.
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Schubert Club: https://schubert.org/ Salastina: https://www.salastina.org/ Gateways Radio: https://www.gatewaysmusicfestival.org/gatewaysradio
The Sphinx Organization has been a leader in diversity and equity in the arts for 25 years. The organization's President and Artistic Director, Afa Dworkin, alongside the organization's founder, Aaron Dworkin, join Garrett to discuss the past, present and future of Sphinx.
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**Support for TRILLOQUY comes from Schubert Club (https://schubert.org/) and Salastina (https://www.salastina.org/)
Molly Joyce is a composer and performer whose work focuses on disability as a creative source. She joins Garrett in this week's third movement to talk about her work and her new album, "Perspective". This, the week in "accidentals", and more!
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· Black Administrators of Opera Release Letter in Support of Afton Battle: https://operawire.com/black-administrators-of-opera-release-letter-in-support-of-afton-battle/ · Young musicians keep showing up on concert stages. It’s not clear they’re ready: https://datebook.sfchronicle.com/music/young-musicians-keep-showing-up-on-concert-stages-its-not-clear-theyre-ready?fbclid=IwAR3hIysCFSu52hGEXu__-xWKw_lOMofAJdXm19oSdXClWOod2rdva4sfMbI Movement Two: · Danger Mouse and Black Thought – “No Gold Teeth” · SZA – “Too Late” Movement Three: · Molly Joyce: https://www.mollyjoyce.com · “Perspective”: https://mollyjoyce.bandcamp.com/album/perspective · Accessibility in the Arts – A Promise and a Practice: https://promiseandpractice.art More: · Schubert Club: https://schubert.org · Salastina: https://www.salastina.org · “Capitolio” by Maria Isa: https://music.youtube.com/playlist?list=OLAK5uy_k8EaGWmdVD-Noiamc4-a4gosknhV1Id1E · Antonín Dvořák - Symphony No. 9 ‘From the New World’ - Klaus Mäkelä | Made in America: https://www.youtube.com/watch?v=vXcU7h3uVlg · Chaka Khan - Through the Fire (Piano Cover by Gabriella Miranda): https://www.youtube.com/watch?v=_ludXTpP1Wg
Garrett and Scott wrap up the year discussing the Met Opera's budget woes, call-out of a Black opera singer coined as "the op", and music by Mongo Santamaría, Counting Crows, Black Thought & Danger Mouse, and more. Special guest Vijay Iyer joins in the third movement.
Support for TRILLOQUY comes from Salastina.
Garrett and Scott offer a holiday-themed opus, featuring a Rudolph breakdown, music by Mariah Carey and Fleet Foxes, a conversation with special guest, Takesha Meshé Kizart-Thomas, and lots more! TRILLOQUY is made possible, in part, by Salastina: https://www.salastina.org.
Soprano Maria Clark and pianist Maria Thompson Corley navigate intense emotion, scars of suffering, and religious passion through hymns, spirituals, and gospel tunes on their latest album, "Soul Sanctuary". They both join Garrett (1:09:00) to discuss the album, the importance of the spiritual, and the cultural narratives that are drawn from this form of Black classical music. Garrett and Scott kick off the show with a nod to the tradition of Jewish music and discuss music that bridges the east and west, a racial slurs in the concert hall, and building cross-cultural unity through the theater. This, lots of great music, and more!
Support from TRILLOQUY comes from Salastina: https://www.salastina.org
Experiments in Opera is focused on re-writing the story of opera, with one of their latest projects fusing contemporary subject matter and musical aesthetics with opera serialized for TV! The organization's Executive Director, Aaron Siegel, joins Garrett (1:07:00) to talk about the TV opera, ideas on dismantling the status quo of opera, and insights on how to cultivate younger audiences. Garrett and Scott offer commentary on WFMT's new radio program geared toward younger audiences, take a look at the programming of a southwest US symphony, and share music by Jackson 5, Margaret Bonds, Gladys Knight, and more.
TRILLOQUY is made possible, in part, by Salastina.
Garrett and Scott kick things off with a welcome to the holiday season and move into the New York Times' take on Sphinx, and the latest from "I Care If You Listen". The guys share music by Dear Silas, Blanco Brown, and more. Multi-time Grammy-nominated artist Curtis Stewart returns to TRILLOQUY to discuss his upcoming performance of Julia Perry's violin concerto, his approach to playing and understanding music, and how musical languages can connect and create communities. Garrett and Scott wrap things up by offering their opinions on a holiday favorite by Handel.
Support for TRILLOQUY comes from Schubert Club
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