 How do you define jazz? Should it sit side-by-side with “classical” music in the concert hall? At what point does the act of incorporating elements of jazz become cultural appropriation? In this opus, Garrett and Scott explore these questions and discuss jazz’s connection to Black music and Black History Month. The two also recap their recent trip to Detroit for the 5th annual SphinxConnect conference, billed as the “epicenter for artists and leaders in diversity.” Garrett and Scott send “get well soon” vibes to Janis Lane-Ewart, who has been rescheduled to a future opus of Trilloquy due to illness.
Episode Playlist Samuel Barber – Summer Music Darius Milhaud - La Création du monde Leonard Bernstein – Symphonic Dances from West Side Story: VII. Fugue ('Cool') Duke Ellington – Black, Brown, and Beige Nina Simone – “Love Me or Leave Me,” “Black Is the Color of My True Love’s Hair,” “Mississippi Goddam,” “Strange Fruit” Jessie Montgomery – Coincident Dances Michael Abels – Winged Creatures Ludwig van Beethoven – Symphony No. 5 DaBaby – “Bop” Joel Thompson – Seven Last Words of the Unarmed Astor Piazzolla - “Fuga y Misterio” More Jazz 88 What Is Jazz? Apollo’s Fire Art Accordingly Podcast Classically Black Podcast Exigence Ensemble “Your Guide to Evergreen Programming” Sphinx Tank 2020 Trilloquy is supported by Naxos of America. Find out more at https://unclassified.com
1 Comment
|