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Composer Renee Baker believes that "classical" training doesn't have to be a barrier to other genres and styles - she sees it as a bridge! She returns to TRILLOQUY's third movement to talk about her entry into the world of "creative music", her recent collaboration with the American Composers Forum and the Association for the Advancement of Creative Musicians, and the way capitalism helps maintains American orchestral paradigms. Scott shines a light on the intersection of Black history and present as it relates to "classical" guitar, and Garrett speaks to white supremacy as it exists in both heavy metal and "classical" cultures.
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