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Opus 109

7/26/2021

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Have you ever heard of slave orchestras? What does a post-colonial 'classical' music ecosystem look like? Cellist, composer, multi-instrumentalist and writer Jon Silpayamanant joins Garrett to talk about how the intersection of colonialism and music have impacted the world, and ideas on how musicians can help inspire mental decolonization. Garrett and Scott highlight the story of a Black man who managed to make friends with members of the Ku Klux Klan, share music performed by Turkish and Armenian musicians, and more. And Garrett puts the trill in TRILLOQUY in a final movement admonishing a headline and article with extremely triggering and historically racist overtones. 
Playlist: 

Julia Adolphe - "Veil of Leaves" 
Coleridge-Taylor Perkinson - Sinfonietta No. 1, Mvt. III
Black Violin - "Stereotypes" 
Daryl Davis - "Leave Me Alone"
perf. Bilal Göregen - "Ievan Polkka"
perf. Loituma - "Ievan Polkka"
Narek Hakhnazaryan - Sollima, Lamentatio
arr. Cristián Tamblay - Bartok, String Quartet No. 4 
ลาวเสี่ยงเทียน ขุนอิน ระนาดบางกอก
Xavier Dubois Foley - "Shelter Island" 
More:

Downbeat (Anthony Fauci vs. Rand Paul)
2022 Sphinx Medals of Excellence Awardees
Grammy-nominated duo Black Violin will blend classical and hip-hop in Jimmy Dean Theater
Texas Senate Passes Controversial Education Bill
How One Man Convinced 200 Ku Klux Klan Members To Give Up Their Robes
A Mixed Start For Decca’s New Violin Poster Boy Randall Goosby
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